| 2002
Virginia Dance Center's
Regan Wilson Has Dual Careers By
Ann Lalicker Business
Writer It
may seem a little I unusual that a full-time attorney who loves
dance would also make the time and commitment to open her own dance
studio. But J. Regan Wilson, Assistant Commonwealth's Attorney for
Prince William County, is a focused, organized, and energetic person
who pursues both interests with great dedication.
A native of Syracuse, NY, she started dancing
when she was six, taught dance during high school, and took an interest
in law as part of her high school's mock trial team. She worked
in a law office while attending SUNY (State University of New York),
also keeping up her dance studies, performing, and teaching. After
a year at Albany Law School in New York, Regan transferred to Georgetown
University; an internship led to her present job in Manassas. She
taught dance at another studio before opening Virginia Dance Center
in 1999 in a Liberia Ave. shopping center.
The dance studio, which is moving to a larger space in the shopping
center in September, offers classes for children and adults. Creative
movement (based on ballet) is for the 3-4-year-old set; those 5-7
take pre-ballet or pre-tap; ages 7 and up learn ballet, tap, jazz,
lyrical, and theater dance; and a new program draws beginning adult
dancers. Teaching classes and running the center, Regan says, "is
a blast." |
In
court daily as a prosecuting attorney, Regan handles anything from
traffic offenses to assault and battery but specializes in child
sex abuse cases-something she finds difficult but rewarding, she
says, because it gives her the opportunity to take children out
of bad situations and punish their abusers. "I'm motivated
to work hard," she adds, "because the effects of doing
well are important."
Dance is "a
passion," Regan says. "It's part of who I am." Learning
to perform, she explains, helps children (and adults) develop confidence
and makes them more comfortable in front of people. She believes
that other attorneys she knows who have theater or dance backgrounds
were drawn to trial work because of the poise and confidence they
developed from performing.
"I run
my classes in a serious manner," Regan points out. "I
expect discipline and respect but I also want it to be a fun and
positive atmosphere. And I want every kid to walk out feeling they
had a good time. It's fun to perform." The parents at her studio,
Regan adds, "are very supportive and excited to get their kids
dancing. My goal is to train the kids to be good technical dancers
and to be able to have fun. Performing is good for their futures
whether they continue with dance or do something else. I have no
doubt it's been good for me."
Regan [...]
and friends are installing sprung dance floors and painting the
new studio, which will have observation windows so parents can watch
some of the classes.
The students
have a performance every summer, and a small dance company is now
underway. It was less responsibility to just teach, she notes, "but
I wanted to run my own place and have my own approach.
It's going
as I hoped it would go," Balancing the two careers might not
be possible "if I didn't really love teaching."
(Portions of this article have been edited by Allyson
Clagett for use on this web site.)
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